CAMP STREET CAFÉ
|New reservation policy at Camp Street Cafe.
Reservations will guarantee the reservation holder a seat,
but not a specific seat. Seating will be general admission,
first come first serve, with doors opening at 7:00pm
The David Crockett Old Time Music Society
Open Mic / Jam
Saturday, May 2
Friday, May 15
Friday, October 9
Sunday, December 13
Doors open at 5:00 p.m.
Show begins at 6:00 p.m.
Cowboys and Indians Magazine has called him “the Charley Russell of Western Music.” Western Horseman Magazine has declared his
“Vaquero Song” to be one of the greatest Western songs of all time. In 2010 , 2011 and 2013 True West Magazine named him Best Living Western Solo Musician.
Dave Stamey has been a cowboy, a mule packer, a dude wrangler, and is now one of the most popular Western entertainers working today.
He has been voted Six times Entertainer of the Year, Six times Male Performer of the Year and Five times Songwriter of the Year by the Western Music Association,
and received the Will Rogers Award from the Academy of Western Artists. He’s delighted audiences in twenty three states,
and finds that he prefers this to being stomped by angry horses.
Back to Top.
"GARY ALLEGRETTO IS ONE OF THE CLASSIEST ACTS IN THE MUSIC BUSINESS TODAY, WORKING ONLY WITH THE BEST BACKUP MUSICIANS AND TAKING THE TIME TO CRAFT MUSIC NOTED NOT ONLY FOR ITS QUALITY BUT FOR ITS AUTHENTICITY.
~BLUES REVUE MAGAZINE
"THIS IS HONEST MUSIC CRAFTED FROM INSPIRATION, TALENT, AND SKILLS, DELIVERED AT A HIGH LEVEL OF ACCOMPLISHMENT."
"ALLEGRETTO SINGS WITH A NATURAL STORYTELLING APPEAL THAT’S EASY TO UNDERSTAND. HIS HARMONICA GIVES THE PROGRAM A ZEST THAT ENSURES MAGNETIC FORCES. ONE LISTEN AND YOU’RE UNDER HIS SPELL. ONE LISTEN AND HIS AUDIENCE IS SOLD ON PURE BLUES WITH A MESSAGE THAT COMES FROM THE HEART."
~ SOUTHLAND BLUES MAGAZINE
“FOUR STARS! "DelGrosso confidently matches his plugged-in resonator mandolin to the electric guitar of Richardson on an impressive bunch of original songs that could only come from the marshlands and bayous of Southeast Texas. That old string-band instrument has an air of gracefulness about it. Above-average singers, the two share the ability to convey boundless joy ("She's Sweet") and romantic uncertainty ("Hard to Live With"), supported by a crackerjack rhythm section, the Texas Horns and local guests." ”
Frank-John Hadley , Downbeat
(This review placed Time Slips On By on the Downbeat list of Best CDs of 2011)
"...the solidly rocking string wizard... a breath of fresh air for the blues."
"...his box o’ rocks voice, locomotive riffs, and sparks-a-flyin’ licks doing nothing but right. "
Hittin' The Note, GA
"Rich DelGrosso's performances are high energy affairs. He seems to channel the blues in a way that few artists can."
Mississippi Valley Blues Festival Guide
"DelGrosso’s a groovemaster on guitar, just as on mando. It’s hard to believe it’s his "other" instrument. He’s got a hell of a singing voice, too: a full-throated baritone with the gravel, growl, and behind-the-beat passion that you only hear in the best blues singing."
co-author of MOANIN’ AT MIDNIGHT:
The Life and Times of Howlin’ Wolf
Pipp Gillette…drums and vocals
Steve James….electric guitar and vocals
East Texas Juke Joint Music
Named for their home base in Crockett, Texas, this duo carries on one of the missions of the Camp Street Cafe; playing and singing a heady mixture of East Texas blues, country and roots music.
Friends since their teens, Steve and Pipp have always shared a love of music in general, and the sounds of Texas icons like Lightnin’ Hopkins and Mance Lipscomb in particular.
“That’s what we’re goin’ for,” says guitarist James, “that basic Brazos bottoms boogie and all that crazy two-beat stuff that crawled out of the swamp a hundred years ago.
Ever since we were kids, I dug Pipp’s singing and drumming; so when he told me he wanted to get back on the skins, I was, like…Yeah!”
Doug MacLeod, winner of the 2014 Blues Music Awards for Acoustic Artist Of The Year and Acoustic Album Of The Year (There's A Time), the 2013 Blues Blast Music Award for Male Artist Of The Year, and perennial Blues Music Award nominee, is a prolific singer, songwriter, engaging storyteller, and masterful guitarist born in the blues and rooted in the American tradition.
He is a traveling artist that writes and sings original songs that are based on his own life and experiences. He learned from the old masters, lived the music, survived the life and carries forward a valuable tradition. MacLeod is known for his superb songwriting, guitar wizardry, warm soulful vocals, wit and unforgettable live performances. At the heart of this is his knack for storytelling, bringing characters-from the faceless to the legendary-to strikingly real life. As a youth he overcame abuse and a crippling stutter by turning to music. After he picked up a guitar, and tried to sing - he found his voice.
While he developed his rich, soulful singing style MacLeod also worked out a unique, unorthodox and powerfully rhythmic acoustic guitar style. The rage of his turbulent youth was eventually channeled through his guitar, using his relentless right hand to pound out an insistent, churning beat to complement his intricate bottleneck and finger-style technique. MacLeod's playing landed him sideman gigs with George 'Harmonica' Smith, Big Joe Turner, Pee Wee Crayton, Eddie 'Cleanhead' Vinson, Lowell Fulson and Big Mama Thornton. Under their tutelage, he learned how to thrill and enrapture a crowd. Over 29 years, 19 studio albums, several live records, compilations, a blues guitar instructional DVD and a live performance DVD, MacLeod has consistently earned raves. His songs have been covered by many artists including Albert King, Albert Collins, Joe Louis Walker and Eva Cassidy. He has co-written songs with Dave Alvin and Coco Montoya.
MacLeod's songs have been featured in many TV movies and the hit show In the Heat of the Night. Two of his songs are on Grammy nominated albums by Albert King and Albert Collins.
From 1999 to 2004 he hosted Nothin' But The Blues, a very popular weekend blues show on Los Angeles' KLON-KKJZ. He has also been the voice for The Blues Showcase on Continental Airlines and contributed his soulful slide guitar playing to the Los Angeles opening of the August Wilson play "Gem of the Ocean". For ten years he penned "Doug's Back Porch," a regular feature column in Blues Revue Magazine in which he shared his humorous and insightful stories with thousands of readers. He won the Golden Note Award in 1997 for his AudioQuest album "You Can't Take My Blues". In 2006 Solid Air/Warner Bros. released Doug's guitar instructional DVD "101* Blues Guitar Essentials".
MacLeod signed with Reference Recordings in 2012. His new album “Exactly Like This“ will be released on March 10, 2015. In every note he performs and records, MacLeod subscribes to the rule-of-thumb learned from country bluesman Ernest Banks from Toano VA. who instilled in him to "Never play a note you don't believe", and "Never write or sing about what you don't know about."
Like the old masters who taught him, MacLeod's music expresses life and times via an intangible, elusive quality that may simply be a keen sense of what matters most. There is a philosophic and healing side to MacLeod's music and his stories that has helped others overcome the hardships of their lives.
As Pee Wee Crayton's widow Esther once told Doug, "You have a message and you'll send that message mainly to the people who don't go to church." Amen.
In the early 1970s, Rolling Stone Magazine called Michael Martin Murphey “one of the best songwriters in America.” Since that time, Murphey has left an indelible mark on the American Music Landscape crafting and recording such iconic hits as “Wildfire,” “Carolina In The Pines”, “Geronimo’s Cadillac”, “Cowboy Logic,” “Cherokee Fiddle”, “Boy From The Country” and more. In the process, he has topped the Pop, Country, Bluegrass and Western Music charts, earned six gold albums and multiple Grammy nominations.
Through all the chart-jumping and genre-busting, Murphey has remained constant to an honest, sophisticated approach to his songwriting. His forthcoming Red River Drifter (set for release on Red River Entertainment) is a collection that draws from a deep well of eclectic influences ranging from classical to country, blues to bluegrass, pop to western. In fact, it’s simply impossible to pigeon-hole Murphey to one specific genre. He is no more country than rock, no more bluegrass than classical. He is, rather, a true AMERICAN songwriter.
“What I’ve written over the years has always reflected what was influencing me at the time,” says Murphey. “This album is a return to those days when I was influenced by everything. Right now, some really interesting , intricate melodies are coming to me.”
A native Texan, Murphey’s songs have always reflected his lifestyle, and are understandably seen through a Western lens, often built on outdoor themes with the sensibilities of his cowboy lifestyle. From the first notes of the bluegrass-driven “Peaceful Country,” Red River Drifter takes listeners on a journey through the broad spectrum of music Murphey absorbs while traveling from city to city — up to 200 dates a year — from coast to coast.
At the core of his music is a stubborn determination to be the best songwriter he can be, a focus that has led to his songs being covered by such artists as Lyle Lovett, John Denver, Kenny Rogers, Hoyt Axton, The Monkees and more. “I spend a lot of time on the road listening to all kinds of music,” he says. “I grew up in Texas, the world’s number one musical crossroads where anything goes musically. Texas has produced great artists from every genre. You can wake up and say ‘today, I think I’ll write a symphony’ and you can find an audience for it there. The same can be said about any genre in music. Texans love music. They enjoy opera and they enjoy bluegrass. I am a product of that, and I am the Number One fan of all types of music.”
Red River Drifter was produced by guitar ace Pat Flynn and Ryan Murphey, who has produced Murphey’s last three albums. The majority of the songs were written while the group was working a month-long series of shows in Colorado. “We had a great place to sit on the back porch and look out at the mountains. It was like sitting there like an eagle on a perch looking at life.”
It is an approach that has worked well for Murphey. According to BMI, Murphey has 5 million-performance songs — “Wildfire” (3.9 million), “Cherokee Fiddle” (1.92 million), “Carolina In The Pines” (1.65 million), “Talking To The Wrong Man” (1.21 million), “Still Takin’ Chances” (1.2) — and a total of 11 award-winning BMI songs (6 in Country and 5 in Pop). Also, according to BMI, repeat, back to back performances of his award winning songs alone, with each song averaging 3 minutes each, would amount to 64 years of continuous airplay.
“Pan-Americana Roots 'n Blues, doused in Moonshine alt-Billy and delicious Dixie” (Net Rhythms).
“Absolutely beyond criticism!” (fRoots)
"Male Vocal Nominee!" (Spiral Earth Awards 2014)
Ranked one of the Top 100 Acoustic Guitarists, singer-songwriter Brooks Williams writes groove-laden songs and delivers them with an easy-going vocal style and monstrous guitar chops. Walking the line between blues and Americana, Williams has worked stages worldwide for over 25 years, amassing a staggering back-catalogue of songs, recordings and tales. With nearly 20 CDs to his name – and more on the way – this Statesboro Georgia native is, according to americanaUK, “impossible not to like."
“I’ve known Brooks for many years. He’s a lovely player, a lovely singer, and a great writer and a lovely man. The real thing” (Martin Simpson)
“I suggest you get out and buy this album [New Everything] as soon as you can!” (R2)
“The masterly Brooks now proudly presents his latest solo set [New Everything], a typically classy mix of blues, raggy Americana and healthy new originals, impeccably played and sung as ever. Self-recommending and absolutely beyond criticism!” (fRoots)
"How soulful a solo guitarist can be when he has talent, taste and astonishing technique." (Blues Revue)
“A slice of Americana at its finest!” (fRoots)
“Go see him live!” (NetRhythms)
“…classy, tasteful, bright, and hugely enjoyable!" (Blues Matters)
- See more at: http://www.brookswilliams.com/index#sthash.J5vSpl3f.dpuf
More than a Singer, More than a Songwriter, Juni is a horsewoman with a message.
Juni Fisher's name is synonymous with the kind of songwriting that, according to one promoter "Plumbs the depth of your soul…".
Born in the San Joaquin Valley of California, Fisher grew up in a farming family, but between school and countless singing performances with her two sisters, Juni found a way to have horses, and 4-H and FFA honors followed her through out her school years. While studying Equine Science at the College of the Sequoias in Visalia, she rode young horses for her customers, and became known as a good horse show "catch rider": she rode her way through college, with top honors at Intercollegiate and Quarter Horse shows. Meanwhile, she was earning horse show entry money singing big band standards in a dance orchestra.
In her early adult years she apprenticed with a cowhorse trainer, and trained cowhorses from snaffle bitters to bridle horses, winning her first Snaffle Bit Futurity (IARCHA) in '81, her first Bridle Horse Championship in '83 (the Monterey Classic) while working on a cow calf operation, and running a roping arena. Her bridle horses did day work on the ranch, and competed weekends. If there was a campfire gathering with music, Juni was there with her guitar, singing the songs of the west she'd learned from her father. In 1984 she moved to Santa Ynez, CA, to work for a cutting horse trainer, taking her blossoming songwriting skills with her.
A local band was quick to ask her to play rhythm guitar and sing leads and backups, and soon she was working L.A. area clubs with a country dance band, which was playing western and cowboy music. Juni's ability to ride at speed across the hills found her working as a foxhunting professional, and she accepted a one year position with a hunt club in Tennessee. Point to point racing, steeplechasing, and horse trials took the place of cowhorses, while she honed her songwriting skills among Nashville's finest.
Her first Western release,"Tumbleweed Letters" (1999) reached Monterey Cowboy Poetry and Music Festival director Gary Brown in late 2003. He shared Juni's music with other promoters and soon Juni would shift to music full time as her profession. Fisher now performs at the major festivals, and concert venues of all sizes across the US, and spends saddle time on her cutting horse, keeping her tuned up for competition.
Doors open at 5:00 p.m.
Show begins at 6:00 p.m.
bioFrom New Jersey, John Gorka is a world-renowned singer-songwriter who got his start at a neighborhood coffeehouse in eastern Pennsylvania. Though small, Godfrey Daniels was and is one of the oldest and most venerable music institutions and has long been a hangout for music lovers and aspiring musicians. In the late 1970’s, John was was one of these aspiring musicians. Although his academic coursework at Moravian College lay in Philosophy and History, music began to offer paramount enticements. Soon he found himself living in the club’s basement and acting as resident MC and sound man, encountering legendary folk troubadours like Canadian singer-songwriter Stan Rogers, Eric Andersen, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him, and before long he was performing his own songs – mostly as an opener for visiting acts. Soon he started traveling to New York City, where Jack Hardy’s legendary Fast Folk circle (a breeding ground for many a major singer-songwriter) became a powerful source of education and encouragement. Folk meccas like Texas’ Kerrville Folk Festival (where he won the New Folk Award in 1984) and Boston followed, and his stunningly soulful baritone voice and original songwriting began turning heads. Those who had at one time inspired him – Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine Lavin, Shawn Colvin – had become his peers.
In 1987, the young Minnesota-based Red House Records caught wind of John’s talents and released his first album, I Know, to popular and critical acclaim. With unusual drive and focus, John hit the ground running and, when an offer came from Windham Hill’s Will Ackerman in 1989, he signed with that label’s imprint, High Street Records. He proceeded to record five albums with High Street over the next seven years: Land of the Bottom Line, Jack’s Crows, Temporary Road, Out of the Valley and Between Five and Seven. His albums and his touring (over 150 nights a year at times) brought new accolades for his craft. His rich multifaceted songs full of depth, beauty and emotion gained increasing attention from critics and audiences across the country, as well as in Europe where his tours led him through Italy, Belgium, Scotland, Ireland, Holland, Switzerland and Germany. He also started sharing tours with many notable friends—Nanci Griffith and Mary Chapin Carpenter among them. All this brought his music to an ever-widening audience. His video for the single “When She Kisses Me” found a long-term rotation on VH-1’s “Current Country,” as well as on CMT and the Nashville Network.
In 1998, after five successful recordings and seven years at Windham Hill/High Street, John felt the need for a change and decided to return to his musical roots at Red House Records. The choice was driven, in part, by the artistic integrity that the label represents in an industry where the business of music too often takes precedence. The 1998 release After Yesterday marked a decidedly different attitude towards making music for John, and his next release The Company You Keep held fast to his tradition of fine songwriting, yet moved forward down new avenues. Its fourteen songs displays John’s creative use of lyrics and attention to detail. Andy Stochansky played drums and shared production credits with John and Rob Genadek. Ani DiFranco, Mary Chapin Carpenter, Lucy Kaplansky and Patty Larkin contributed stellar guitar work and vocals to this fan favorite. Old Futures Gone was informed by his life as husband and father of two young children and also contained the colorful experience of many hard years on the road. Writing in the Margins followed in 2006 and was an engaging collection of sweet and serious songs that spanned many musical genres—folk, pop, country and soul—and featured guest vocalists Nanci Griffith, Lucy Kaplansky and Alice Peacock. Now with this, his 11th studio album, he returns to his roots with So Dark You See, his most compelling and traditional album to date.
In addition to his 11 critically acclaimed albums, John released a collector’s edition box featuring a hi-definition DVD and companion CD called The Gypsy Life. Windham Hill also released a collection of John’s greatest hits from the label called Pure John Gorka. In 2010, he also released an album with his friends and Red House label-mates Lucy Kaplansky and Eliza Gilkyson under the name Red Horse. Getting high praise from critics and fans alike, it landed on the Billboard Folk Charts and was one of the most played albums on folk radio.
Many well known artists have recorded and/or performed John Gorka songs, including Mary Chapin Carpenter, Nanci Griffith, Mary Black and Maura O’Connell. John has graced the stage of Austin City Limits, Mountain Stage, etown and has appeared on CNN. His new song “Where No Monuments Stand” is featured in the upcoming documentary Every War Has Two Losers, about activist and Oregon Poet Laureate William Stafford (1914-1993).
John Gorka lives in Minnesota and when not on the road, he enjoys spending time with his wife and children. He continues to tour, playing festivals, theaters and clubs all over North America and Europe.